(NOTE: this was originally drafted and intended for publication on Friday, but due to technical difficulties — i.e., me pushing “Save” and not “Publish” — you get to read it today. Happy Monday!)
This week I am going to focus on two very different offerings: a independent comic about a brutal time in American history from a modern comics master, and a musical potpourri from one of my favourite musical discoveries of the last few years. The shift halfway through the column might be a bit of a hard left but hold on, I promise to try and make it worth your while.
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Kyle Baker has been making comics for over thirty years now, and he’s a kind of polarizing figure among readers. I’ve been a fan for years, though, from his early work on DC Comics’ pulp revival series like The Shadow and Justice, Inc. in the 1980s to his own original work on titles like Why I Hate Saturn, You Have Killed Me, and The Cowboy Wally Show. He’s a tremendous visual storyteller and character designer, who’s not afraid to take big artistic risks to make an emotional impact in a story. His 2005 four-issue series Nat Turner is a comic book adaptation of the life story of enslaved African-American Nat Turner, from just before his birth through the slave rebellion that he led in Virginia in 1831. Turner is an important and controversial figure in American history and race relations, and Kyle Baker’s graphic novel is an immediate, gripping, and emotionally charged retelling of the man’s story.